小儿子胶囊时光2

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　　位于洛杉矶市中心的赛西尔酒店素以全洛杉矶最致命的酒店闻名：既是连续杀人犯藏身之所，也有许多人在此离奇死去。大学生蓝可儿诡异失踪，更为这间酒店的暗黑历史添增最新篇章。2月10日邀您入住赛西尔酒店，Netflix 独家。

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在这部纪录片中，一名警长和谋杀案被害者的母亲坚持不懈，只为追查并起诉1990年代巴黎的一名连环杀手

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透過泛自閉症者的日常，看他們獨特的生命樣態。他們天生不理解一般情感互動，在人群中格格不入，有如迷航到地球的外星人。

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杰克·拉德马赫与他在伊拉克服役期间的兄弟和战友重聚，展现了他对战争影响以及从现役战士到退伍军人转变的独特见解。

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《死后事》以真实的濒死经历为基础，在《纽约时报》的畅销书作家、医学专家、科学家和幸存者的指导下去探索来世，揭示着那一直在等待着我们的事物。

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记录片《1937·南京记忆》共分5 集，每集50分钟，将立足于对南京大 屠杀的时代反思，通过华裔美国女作 家张纯如、美国导演比尔·古登泰格、 侵华日军南京大屠杀遇难同胞纪念馆 馆长朱成山、旅日华人导演李缨、日 本友人松冈环和中国社科院近代史所 原所长步平6个主要人物的视角，讲述 他们追踪南京大屠杀历史真相的过程 中所发生的故事，以及由此给他们带 来的命运变迁。

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　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

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中华美食五千年

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Follows a dysfunctional Parisian family confronted to the tragic illness of one their children.

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　　Legendary comedy writer and director Larry Charles travels the world in search of humor in the most unusual, unexpected and dangerous places.

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跟着本节目前往世界各地，好让自己放松和重整。