电影根据新冠肺炎疫情防控斗争的真实事件改编,以武汉市金银潭医院为核心故事背景,同时兼顾武汉同济医院、武汉市肺科医院、武汉协和医院、武汉大学人民医院(湖北省人民医院)、火神山医院、方舱医院等兄弟单位,以武汉医护人员、全国各省市援鄂医疗队为人物原型,全景式记录波澜壮阔、艰苦卓绝的抗疫斗争。
A man's struggle against himself and against time. Kenyan runner Eliud Kipchoge dreams of completing a marathon distance of less than two hours. An achievement that is considered unattainable for a human being. Here we follow him as he prepares to break the impossible record. Is he able to break the magical two-hour limit and write history
彩色历史影像,按第一次世界大战的进程由大到小排列。不仅包括相对知名的佛兰德斯战役和法国战役,还包括鲜为人知的意奥战、德波俄战、日德战、奥斯曼帝国协约国战、德意志非洲殖民地战,以及其他一些鲜为人知或已被遗忘 的战线和战役。这部影片最初由法国制作,后由国家地理频道以英文重新演绎,片名为《第一次世界大战:启示录》。
一家青少年足球训练机构发生惨剧后,悲痛的家属向巴西最炙手可热的球队讨要说法和公道。
《先发五虎》是 Netflix 最新推出的 10 集体育类剧集,通过五位联盟顶尖球员的视角,讲述了 2023-24 赛季 NBA 的幕后故事,这五位球员分别是:吉米·巴特勒(迈阿密热火队)、安东尼·爱德华兹(明尼苏达森林狼队)、勒布朗·詹姆斯(洛杉矶湖人队)、多曼塔斯·萨博尼斯(萨克拉门托国王队)和杰森·塔图姆(波士顿凯尔特人队)。该剧集记录了他们在球场内外的奋斗,展现了他们追求荣耀时刻、克服伤病以及平衡家庭和事业的种种挑战。詹姆斯在他的第 21 个赛季比以往任何时候都更加努力地保持健康和统治力,而爱德华则以其迅速崛起引人注目。巴特勒凭借不懈努力推动着热火队前进,萨博尼斯以他全能的球技成为国王队的支柱,塔图姆带领凯尔特人队冲击创纪录的第 18 个总冠军。《先发五虎》展现了职业篮球顶尖生活的真实景象。
1 、哥斯达黎加:双面刃监狱 Costa Rica - Prison On A Knife-Edge2、 哥伦比亚:毒枭监狱 Colombia - Narco Prison3 、罗马尼亚:吉普赛监狱 Romania - Gypsy Prison4 、挪威:完美的监狱 Norway - The Perfect Prison
《急诊室故事》利用全球最先进的固定摄像技术,使用78个固定摄像头,24小时跟踪直击常人视角无法触及的急诊室真实故事,记录生死关头的人生百态,同时为确保真实还原,现场将使用66路全方位收音,确保急症室各处都可以收到现场声。节目核心立意是直面社会广泛关注的医患矛盾、信任危机,并始终坚持“生命有痛,有你真好”的主导思想,通过深入挖掘一个个真实而充满人道主义精神的救治故事,让观众感受到病患如何被救治,及过程中医患间、病人与亲友间的各种情感迸发,赞颂生命的力量与尊严,传递社会正能量。节目将全方位纪录、还原真实医患关系,直击中国医疗现状,带领观众感悟人生百态。
鸟语花香一整年
《抽象:设计的艺术》将再次带您走入蓝图之上,了解设计的艺术、科学和哲学。本剧集深入探索了世界上最伟大的设计师的理念,展现了塑造文化和未来的一系列学科的最鼓舞人心的愿景。 《抽象》由斯科特·达迪奇、摩根·内维尔、戴夫·奥康纳、贾斯汀·威尔克斯和乔恩·凯曼担任监制,RadicalMedia 与 Tremolo Productions 和 Godfrey Dadich Partners 联合制作。 媒体联系信息
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
日本菜的精华是什么?海胆?鱼生?时令蔬菜?优美景致?本片就将为大家揭示日本菜的精髓,大家一起来看英国大厨做出的日式饕餮盛宴! Rick Stein 是英国老资格的电视名厨,以做海鲜菜为名,在Cornwell开了好几家饭店、Fish & Chip 店等,还曾经为BBC做过好几个各地烹饪饮食习惯的系列。Rick Stein 访问了东南亚和东亚(包括中国)等地,研究当地的饮食习惯和烹饪手法。 When the Japanese ambassador saw Rick Stein preparing sushi on a boat off Cornwall, he was not impressed. However, this sparked off an idea where Rick would go on a voyage of discovery to the ultimate seafood lover's destination - Japan. On his return he promised to create a banquet fit for an ambassador and his friends.
该剧讲聚焦职业摔角培训机构「怪物工厂」,讲五个摔角手努力进入WWE的故事。
在台灣解嚴前後,有一群堅持信念的攝影記者們,無畏主流市場或是黨政干預壓力,勇闖各地,為大眾呈現第一手資料,不論角度客觀與否。